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The High Score hope their
carefree rock will land them squarely in the middle
by Joe
Tarr
The High Score is getting anxious. The group's debut CD, Sexy
Losers, has been ready for months. But, they've held off
releasing it until Jan. 14, in hopes of garnering a little buzz and
not getting lost in the cracks with just about every other indie
release.
But, as Tom Petty says, "the waiting is the hardest part." The
group just wants to get out and perform. "We've been wanting to play
a lot but we were holding off so we can play out a lot when the CD
comes out," says Chris Cook, guitarist and singer. He and his
bandmates are sitting at Spicy's in the Old City, eating chicken
wings and sipping beer.
"We're ready to go full throttle as soon as someone helps us book
shows," adds Robbie Trosper, who also plays guitar and sings.
Somewhat of a supergroup in the Knoxville scene, the band formed
with the demise of two other local groups. Robbie Trosper (guitar,
vocals) and Jason Peters (drums) were in the Faults—another
supergroup of sorts, which included ex-V-roys Paxton Sellers and Mic
Harrison (now in Superdrag). "Basically, we were just losing
members," Trosper says of the breakup. Chris Cook (guitar, vocals)
headed up Mustard. "I was just ready for a change," Cook says. "I
always wanted to play in a band with a second guitar." Their friend
Dave Walker fills out the group on bass.
The music is in the vein of '80s indie rock. It's pop rock played
ragged and rough—some obvious models are the Replacements and the
Pixies.
There are inspirations closer to home, as well. "I like to think
we carry on the same kind of attitude or spirit from the Knoxville
scene of the late '80s or early '90s," Trosper says. "We grew up
listening to the Taoist Cowboys, Smokin' Dave, and the Swamis. I
think there are still good bands in Knoxville, but it's never been
like it was then."
All of them grew up playing music in their early teens,
self-described social outcasts. Trosper and Peters have been friends
since then. "We knew 'Jingle Bells' and 'Holiday in the Sun.' We
were playing very bad music," Trosper says. "We've gotten a lot
better. I now know power chords and scales."
Trosper and Cook write the songs for The High Score and the band
arranges (Peters in particular has a flair for arranging songs,
Trosper says.) Mustard fans might be disappointed to only find two
Cook-penned songs on Sexy Losers: "Laid Up" and "Let it Go."
"I had to kick him in the ass to get those on the record," Trosper
says.
"Robbie has always been a writing machine," says Cook. "That's
been an inspiration to me. I feel like I've got to get off my ass
and work. I try to stay one up on Robbie. It doesn't always work."
Since the album has been recorded, Cook has been contributing
more songs. The band already has an album and a half of new material
and they'd like to put out a couple of releases a year.
The four hope to make music their career, but they're hardly
hoping for a hit single on Extreme 94.3 FM. For Trosper, the act of
creating something and recording it is enough. "I've got the best
drummer, guitar player and bass player I'd ever want to play with,"
Trosper says. "Tomorrow, for some reason, we may hate each other.
But at least we have a CD to remind us that we liked each other."
"It's kind of like looking back at your old school pictures,"
Cook jokes.
They do have some ambitions though. Like their idols, the
notoriously underachieving Replacements (whom the band played at a
Pilot Light Halloween benefit), they're aiming squarely for the
middle. For now, that means selling enough copies of Sexy
Loser (available on the local Lynn Point Records) to make back
the money they spent pressing 1,000 copies. They've given close to
500 away to press and radio.
"Success would be selling 200 CDs and making our money back,"
Trosper says. "You read these band profiles and they say, 'We're
going to tour this summer and hopefully try to get signed.' I've
said that too many times in my life to say it again. I hate to think
I'm a cranky old man. But our expectations are more realistic. It
went from taking over theworld to selling 200 CDs."
January 2, 2003
* Vol. 13, No. 1 © 2002 Metro Pulse
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